{"id":543,"date":"2020-09-25T12:28:23","date_gmt":"2020-09-25T12:28:23","guid":{"rendered":"https:\/\/digitalpig.com.br\/luciaduraes\/?page_id=543"},"modified":"2021-08-18T18:36:59","modified_gmt":"2021-08-18T18:36:59","slug":"ato21","status":"publish","type":"page","link":"https:\/\/luciaduraes.com.br\/tristaoeisolda\/ato21\/","title":{"rendered":"Segundo Ato – Cena 01"},"content":{"rendered":"\t\t
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Zweiter Aufzug\u00a0\u00a0
<\/span><\/span><\/b>Segundo Ato<\/span><\/b><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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17<\/a> 18<\/a> 19<\/a> 9<\/a> 20<\/a> 19<\/a> 9<\/a> 20<\/a> 19<\/a><\/span><\/p>

In der k\u00f6niglichen Markes in Kornwall. Garten mit hohen B\u00e4umen vor dem Gemach Isoldes, zu welchem, seitw\u00e4rts gelegen, Stufen hinauff\u00fchren. Helle, <\/span>17 <\/span><\/a><\/span><\/strong>anmutige Sommernacht. An der ge\u00f6ffneten T\u00fcre ist eine brennende Fackel aufgesteckt. – Jagdget\u00f6n. Brang\u00e4ne, auf den Stufen am Gemach, sp\u00e4ht dem immer entfernter vernehmbaren Jagdtrosse nach. Zu ihr tritt aus dem Gemach, feurig bewegt, Isolde.<\/span><\/p>

No castelo real de Marke na Cornualha. Jardim com \u00e1rvores altas em frente ao aposento de Isolda, com escadas que conduzem para cima. Noite de ver\u00e3o, clara, amena. Na porta aberta h\u00e1 um archote queimando. Clamores de ca\u00e7a. Brang\u00e4ne, nos degraus junto ao aposento, olha para o grupo de ca\u00e7a que se ouve cada vez mais longe. Saindo do aposento, muito agitada, Isolda vem a seu encontro.<\/span><\/p>

\u00a0<\/span><\/p>

21<\/a> (<\/span>Quando abre a cortina)<\/span><\/span>
<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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SZENE I<\/span><\/p>

CENA I<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Isolde. Brang\u00e4ne. <\/span><\/span>Isolda, Brang\u00e4ne.<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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ISOLDE<\/span>
<\/span>ISOLDA<\/span>
<\/span><\/p>

\u00a0<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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19<\/a> 9 <\/a><\/span>H\u00f6rst du sie noch?<\/span><\/p>

Ainda consegue ouvi-los?<\/span>
<\/span>Mir schwand schon fern der Klang.<\/span>20<\/span><\/span><\/a><\/p>

Eu j\u00e1 n\u00e3o ou\u00e7o nada.<\/span><\/p>

21<\/span><\/a><\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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BRANG\u00c4NE<\/span><\/p>

BRANG\u00c4NE<\/span>
<\/span>(lauschend)<\/span>
<\/span>(escutando)<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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21 <\/span><\/a><\/span>Noch sind sie nah; deutlich t\u00f6nt’s daher.<\/span><\/p>

Ainda est\u00e3o perto, eu os ou\u00e7o perfeitamente.<\/span><\/p>

18<\/span><\/a><\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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ISOLDE<\/span><\/p>

ISOLDA<\/span>
<\/span>(lauschend)<\/span><\/p>

(escutando)<\/span>
<\/span><\/p>

\u00a0<\/p>

\u00a0<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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19<\/a> <\/span>Sorgende Furcht<\/span><\/p>

N\u00e3o \u00e9 mais que o inquietante medo,<\/span>
<\/span>beirrt dein Ohr. <\/span>21<\/span><\/span><\/a><\/p>

que engana o teu ouvido.<\/span>
<\/span>Dich t\u00e4uscht des Laubes<\/span><\/p>

Te engana da folhagem<\/span>
<\/span>s\u00e4uselnd Get\u00f6n’,<\/span>19<\/span><\/a><\/p>

o murm\u00fario sibilante,<\/span>
<\/span>21 <\/span><\/a><\/span>das lachend sch\u00fcttelt der Wind.<\/span>9<\/span><\/a><\/p>

que o vento agita alegremente.<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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BRANG\u00c4NE<\/span>
<\/span>BRANG\u00c4NE<\/span>
<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span>(Sie lauscht)<\/span><\/p>

(escuta)<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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20<\/span> <\/span><\/a>Dich t\u00e4uscht des Wunsches<\/span><\/p>

E \u00e0 senhora se engana da vontade<\/span>
<\/span>Ungest\u00fcm,<\/span><\/p>

o \u00edmpeto,<\/span>
<\/span>zu vernehmen, was du w\u00e4hnst.<\/span>21<\/span><\/a><\/p>

de ouvir, o que imagina.<\/span>\u00a0<\/span><\/p>

Ich h\u00f6re der H\u00f6rner Schall.<\/span><\/p>

Ou\u00e7o o som das trompas.<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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ISOLDE<\/span><\/p>

ISOLDA<\/span>
<\/span>(wieder lauschend)<\/span><\/p>

(novamente escutando)<\/span>
<\/span><\/p>

\u00a0<\/p>

\u00a0<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Nicht H\u00f6rnerschall<\/span><\/p>

Nenhuma trompa<\/span>
<\/span>t\u00f6nt so hold,<\/span><\/p>

possui um som t\u00e3o doce,<\/span>
<\/span>des Quelles sanft<\/span><\/p>

da nascente calma,<\/span>
<\/span>rieselnde Welle<\/span><\/p>

murmurante onda<\/span>
<\/span>rauscht so wonnig daher.<\/span><\/p>

rumoreja alegre para c\u00e1.<\/span>
<\/span>Wie h\u00f6rt’ ich sie,<\/span><\/p>

Como as ouvia,<\/span>
<\/span>tosten noch H\u00f6rner?<\/span>19<\/span><\/a><\/p>

trompas ainda ressoavam?<\/span>
<\/span>Im Schweigen der Nacht<\/span><\/p>

No sil\u00eancio da noite<\/span>
<\/span>nur lacht mir der Quell.<\/span><\/p>

s\u00f3 a nascente me sorri.<\/span>
<\/span>Der meiner hart<\/span><\/p>

Ele que por mim espera<\/span>
<\/span>in schweigender Nacht,<\/span><\/p>

na noite silenciosa,<\/span>
<\/span>als ob H\u00f6rner noch nah dir schallten,<\/span><\/p>

como trompas ainda perto de ti ressoavam,<\/span>
<\/span>willst du ihn fern mir halten?<\/span><\/p>

queres mant\u00ea-lo longe de mim?<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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BRANG\u00c4NE<\/span>
<\/span>BRANG\u00c4NE<\/span><\/p>

\u00a0<\/p>

\u00a0<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Der deiner harrt, \u2013<\/span>20<\/span><\/a><\/p>

Aquele que te espera, \u2013 <\/span>
<\/span>o h\u00f6r mein Warnen! \u2013\u00a0<\/span><\/p>

ou\u00e7a o meu aviso! \u2013 <\/span>
<\/span>des harren Sp\u00e4her zur Nacht.<\/span>18<\/span><\/a><\/p>

Espi\u00f5es o vigiam durante a noite.<\/span>
<\/span>Weil du erblindet,<\/span><\/p>

Porque a senhora est\u00e1 cega,<\/span>
<\/span>w\u00e4hnst du den Blick<\/span><\/p>

acredita que a vis\u00e3o<\/span>
<\/span>der Welt erbl\u00f6det f\u00fcr euch?<\/span>18<\/span><\/a><\/p>

do mundo se turvou?<\/span>
<\/span>Da dort an Schiffes Bord<\/span><\/p>

Quando, a bordo do navio,<\/span>
<\/span>von Tristans bebender Hand<\/span><\/p>

da m\u00e3o tr\u00eamula de Trist\u00e3o<\/span>
<\/span>die bleiche Braut,<\/span><\/p>

a noiva p\u00e1lida,<\/span>
<\/span>kaum ihrer m\u00e4chtig,<\/span><\/p>

quase desfalecida,<\/span>
<\/span>K\u00f6nig Marke empfing,<\/span> 18<\/span><\/a><\/p>

o rei Marke recebeu,<\/span>
<\/span>als alles verwirrt<\/span><\/p>

quando todos perturbados<\/span>
<\/span>auf die Wankende sah,<\/span><\/p>

a viram titubeante,<\/span>
<\/span>der g\u00fct’ge K\u00f6nig,<\/span><\/p>

o bondoso rei,<\/span>
<\/span>mild besorgt,<\/span><\/p>

levemente preocupado,<\/span>
<\/span>die M\u00fchen der langen Fahrt,<\/span><\/p>

o esfor\u00e7o da longa viagem,<\/span>
<\/span>die du littest, laut beklagt’:\u00a0<\/span><\/p>

que fizeste, culpou:<\/span>
<\/span>10 <\/span><\/a>ein einz’ger war’s,<\/span><\/p>

foi um \u00fanico, (<\/span>Melot<\/span>)<\/span>
<\/span>ich achtet’ es wohl,<\/span><\/p>

bem notei,<\/span>
<\/span>der nur Tristan fasst’ ins Auge;<\/span><\/p>

o que s\u00f3 via Trist\u00e3o<\/span>
<\/span>9 <\/span><\/a><\/span>mit b\u00f6slicher List<\/span><\/p>

com maldosa ast\u00facia<\/span>
<\/span>lauerndem Blick<\/span><\/p>

espreitando<\/span>
<\/span>sucht’ er in seiner Miene<\/span><\/p>

procura em seu rosto<\/span>
<\/span>zu finden, was ihm diene.<\/span><\/p>

encontrar o que o serve.<\/span>
<\/span>T\u00fcckisch lauschend<\/span><\/p>

Espreitando manhoso<\/span>
<\/span>treff ich ihn oft: <\/span>9<\/span><\/a><\/span><\/p>

o encontro sempre:<\/span>
<\/span>der heimlich euch umgarnt,<\/span><\/p>

o que secretamente os compromete,<\/span>
<\/span>vor Melot seid gewarnt!<\/span>19<\/a><\/span>\u00a0<\/span><\/p>

estejam avisados contra Melot!<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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ISOLDE<\/span><\/p>

ISOLDA<\/span><\/p>

\u00a0<\/p>

\u00a0<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Meinst du Herrn Melot?<\/span> 19<\/span><\/a><\/p>

Voc\u00ea se refere ao cavaleiro Melot?<\/span>
<\/span>O, wie du dich tr\u00fcgst!<\/span><\/p>

Oh, como voc\u00ea est\u00e1 enganada!<\/span>
<\/span>Ist er nicht Tristans<\/span><\/p>

Ele n\u00e3o \u00e9 de Trist\u00e3o<\/span>
<\/span>treuester Freund?<\/span><\/p>

O mais fiel amigo?<\/span>
<\/span>Muss mein Trauter mich meiden,<\/span><\/p>

Quando o meu amado me evita,<\/span>
<\/span>dann weilt er bei Melot allein.<\/span><\/p>

est\u00e1 com Melot.<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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BRANG\u00c4NE<\/span>
<\/span>BRANG\u00c4NE<\/span><\/p>

\u00a0<\/p>

\u00a0<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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10 <\/span><\/a><\/span>Was mir ihn verd\u00e4chtig,<\/span><\/p>

O que me faz suspeitar dele,<\/span>
<\/span>macht dir ihn teuer!<\/span><\/p>

a voc\u00eas parece caro!<\/span>
<\/span>Von Tristan zu Marke<\/span><\/p>

De Trist\u00e3o a Marke<\/span>
<\/span>ist Melots Weg;\u00a0<\/span><\/p>

\u00e9 o caminho de Melot;<\/span>
<\/span>dort s\u00e4t er \u00fcble Saat.<\/span>21\u00a0<\/span><\/a><\/p>

ali planta sua semente mal\u00e9fica.<\/span>
<\/span>Die heut im Rat<\/span><\/p>

Aqueles que hoje no conselho<\/span>
<\/span>dies n\u00e4chtliche Jagen<\/span><\/p>

essa ca\u00e7ada noturna<\/span>
<\/span>so eilig schnell beschlossen,<\/span><\/p>

t\u00e3o rapidamente decidiram,<\/span>
<\/span>einem edlern Wild,<\/span><\/p>

uma ca\u00e7a mais nobre,<\/span>
<\/span>als dein W\u00e4hnen meint,<\/span><\/p>

do que tua imagina\u00e7\u00e3o cria,<\/span>
<\/span>gilt ihre J\u00e4gerslist.<\/span>21<\/span><\/a><\/p>

tem por objetivo.<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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ISOLDE<\/span>
<\/span>ISOLDA<\/span><\/p>

\u00a0<\/p>

\u00a0<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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21 <\/span><\/a>Dem Freund zulieb<\/span><\/p>

Pelo bem de seu amigo (Trist\u00e3o)<\/span>
<\/span>erfand diese List<\/span><\/p>

(Melot) planejou esta estratagema<\/span>
<\/span>aus Mitleid<\/span><\/p>

por pena<\/span>
<\/span>Melot, der Freund.<\/span>9<\/span><\/a><\/span><\/p>

Melot, o amigo.<\/span>
<\/span>Nun willst du den Treuen schelten?<\/span>10<\/span><\/a><\/span><\/p>

E agora voc\u00ea reprova o leal?<\/span>
<\/span>9 <\/span><\/a>Besser als du<\/span><\/p>

Melhor que voc\u00ea<\/span>
<\/span>20 <\/span><\/a><\/span>sorgt er f\u00fcr mich;<\/span><\/p>

ele cuida de mim;<\/span>
<\/span>ihm \u00f6ffnet er,<\/span><\/p>

abre caminhos,<\/span>
<\/span>was mir du sperrst.<\/span><\/p>

que voc\u00ea me fecha.<\/span>
<\/span>O spar mir des Z\u00f6gerns Not!<\/span><\/p>

Poupe-me a agonia da espera!<\/span>
<\/span>19 <\/span><\/a><\/span>Das Zeichen, Brang\u00e4ne!<\/span>19<\/span><\/a>\u00a0<\/span><\/p>

O sinal, Brang\u00e4ne!<\/span>
<\/span>O gib das Zeichen!<\/span><\/p>

Oh, d\u00ea o sinal!<\/span>
<\/span>L\u00f6sche des Lichtes<\/span><\/p>

Apague a luz<\/span>
<\/span>letzten Schein!<\/span><\/p>

o \u00faltimo brilho!<\/span>
<\/span>Dass ganz sie sich neige,<\/span><\/p>

Que nos envolva,<\/span>
<\/span>winke der Nacht.<\/span><\/p>

acene para a noite.<\/span>
<\/span>Schon goss sie ihr Schweigen<\/span><\/p>

J\u00e1 derramou seu sil\u00eancio<\/span>
<\/span>durch Hain und Haus,<\/span><\/p>

sobre o bosque e casa,<\/span>
<\/span>schon f\u00fcllt sie das Herz<\/span><\/p>

j\u00e1 preenche o cora\u00e7\u00e3o<\/span>
<\/span>mit wonnigem Graus.<\/span><\/p>

com inquietude maravilhosa.<\/span>
<\/span>O l\u00f6sche das Licht nun aus!<\/span><\/p>

Oh, apague agora a luz!<\/span>
<\/span>L\u00f6sche den scheuchenden Schein!<\/span><\/p>

Extingue o brilho afugentador!<\/span>
<\/span>Lass meinen Liebsten ein!<\/span><\/p>

Deixe entrar meu amado!<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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BRANG\u00c4NE<\/span>
<\/span>BRANG\u00c4NE<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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9 <\/span><\/a>O lass die warnende Z\u00fcnde,<\/span><\/p>

Oh, deixe a tocha que alerta,<\/span>
<\/span>lass die Gefahr sie dir zeigen!<\/span><\/p>

para que mostre o perigo!<\/span>
<\/span>O wehe! Wehe!<\/span><\/p>

Ai, pobre de mim!<\/span>
<\/span>10 <\/span><\/a>Ach mir Armen!<\/span><\/p>

Que desgra\u00e7ada eu sou!<\/span>
<\/span>Des unseligen Trankes!<\/span>1b<\/span><\/a><\/span><\/p>

Maldita po\u00e7\u00e3o!<\/span>
<\/span>Dass ich untreu<\/span><\/p>

Que eu infiel<\/span>
<\/span>einmal nur<\/span><\/p>

somente uma vez<\/span>
<\/span>der Herrin Willen trog! <\/span>4<\/span><\/a><\/span><\/p>

tra\u00ed a vontade da senhora!<\/span>
<\/span>Gehorcht’ ich taub und blind,<\/span> 4<\/span><\/a><\/p>

Obedecesse muda e cega,<\/span>
<\/span>dein Werk war dann der Tod.<\/span> 10<\/span><\/a><\/p>

Tua <\/span>(de Isolda) <\/span>obra ent\u00e3o seria a morte.<\/span>
<\/span>Doch deine Schmach,<\/span><\/p>

Por\u00e9m tua vergonha<\/span>
<\/span>deine schm\u00e4hlichste Not,\u00a0<\/span><\/p>

tua desgra\u00e7a dolorosa,<\/span>
<\/span>mein Werk,<\/span><\/p>

\u00e9 minha obra,<\/span>
<\/span>muss ich Schuld’ge es wissen! <\/span><\/span>sou culpada, admito!<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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ISOLDE<\/span>
<\/span>ISOLDA<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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10 <\/span><\/a><\/span>Dein Werk? O t\u00f6r’ge Magd!<\/span><\/p>

Obra sua? Oh, mo\u00e7a insensata!<\/span>
<\/span>Frau Minne kenntest du nicht?<\/span><\/p>

N\u00e3o conhece a sra. Minne?<\/span>
<\/span>1b <\/span><\/a><\/span>Nicht ihres Zaubers Macht?<\/span><\/p>

Nem o poder da sua magia?<\/span>
<\/span>22 <\/span><\/a><\/span>Des k\u00fchnsten Mutes<\/span><\/p>

Da coragem audaz <\/span>
<\/span>K\u00f6nigin?<\/span><\/p>

a rainha?<\/span>
<\/span>Des Weltenwerdens<\/span><\/p>

As origens do universo<\/span>
<\/span>W\u00e4lterin?<\/span><\/p>

est\u00e3o submetidas a ela?<\/span>
<\/span>1b <\/span><\/a><\/span>Leben und Tod<\/span> 10<\/span><\/a><\/p>

Vida e morte<\/span>
<\/span>sind untertan ihr,<\/span><\/p>

est\u00e3o a elas submetidas<\/span>
<\/span>1b <\/span><\/a>die sie webt aus Lust und Leid,<\/span><\/p>

as quais ela tece a bel prazer,<\/span>
<\/span>in Liebe wandelnd den Neid.<\/span>10<\/a>\u00a0<\/span><\/p>

em amor transforma a inveja.<\/span>
<\/span>Des Todes Werk,<\/span><\/p>

A obra da morte,<\/span>
<\/span>nahm ich’s vermessen zur Hand, <\/span>1b<\/span><\/a><\/span><\/p>

tomei comedida nas m\u00e3os,<\/span>
<\/span>Frau Minne hat es<\/span><\/p>

sra. Minne<\/span>
<\/span>meiner Macht entwandt.<\/span>4<\/span><\/a><\/span><\/p>

tirou-a de meu poder.<\/span>
<\/span>Die Todgeweihte<\/span><\/p>

A jurada de morte<\/span>
<\/span>nahm sie in Pfand,<\/span><\/p>

tomou como ref\u00e9m,<\/span>
<\/span>fasste das Werk in ihre Hand.<\/span>1b<\/span><\/a><\/span><\/p>

a obra tomou-a para si.<\/span>
<\/span>22 <\/span><\/a><\/span>Wie sie es wendet,<\/span><\/p>

Como a domina,<\/span>
<\/span>wie sie es endet,<\/span><\/p>

como a termina,<\/span>
<\/span>was sie mir k\u00fcre,<\/span><\/p>

o que me reservou,<\/span>
<\/span>wohin mich f\u00fchre,<\/span><\/p>

para onde me conduz,<\/span>
<\/span>ihr ward ich zu eigen:<\/span><\/p>

eu a ela me sujeito:<\/span>
<\/span>nun lass mich Gehorsam zeigen!<\/span><\/p>

agora deixe-me mostrar-lhe obedi\u00eancia!<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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BRANG\u00c4NE<\/span>
<\/span>BRANG\u00c4NE<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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22 <\/span><\/a><\/span>Und musste der Minne<\/span><\/p>

E teve da Minne<\/span>
<\/span>t\u00fcckischer Trank<\/span><\/p>

a po\u00e7\u00e3o insidiosa<\/span>
<\/span>des Sinnes Licht dir verl\u00f6schen,<\/span><\/p>

apagar a luz da tua sensatez,<\/span>
<\/span>darfst du nicht sehen,<\/span><\/p>

n\u00e3o deves enxergar,<\/span>
<\/span>wenn ich dich warne:<\/span><\/p>

do que a alerto:<\/span>
<\/span>nur heute h\u00f6r\u2019,<\/span><\/p>

s\u00f3 hoje escuta,<\/span>
<\/span>o h\u00f6r’ mein Flehen!<\/span><\/p>

oh ou\u00e7a minha s\u00faplica!<\/span>
<\/span>Der Gefahr leuchtendes Licht,<\/span><\/p>

A luz que ilumina o perigo,<\/span>
<\/span>nur heute, heut’!<\/span><\/p>

s\u00f3 hoje, hoje!<\/span>
<\/span>die Fackel dort l\u00f6sche nicht! <\/span><\/span>A tocha ali, n\u00e3o a apague!<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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ISOLDE<\/span>
<\/span>ISOLDA<\/span>
<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

(sie nimmt die Fackel von der T\u00fcr)<\/span><\/p>

(tira a tocha da porta)<\/span>
<\/span>
<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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22 <\/span><\/a><\/span>Die im Busen mir<\/span><\/p>\n

A <\/span>(Minne)<\/span> que em meu peito<\/span>
<\/span>die Glut entfacht,<\/span><\/p>\n

a chama ati\u00e7a,<\/span>
<\/span>die mir das Herze<\/span><\/p>\n

a que meu cora\u00e7\u00e3o<\/span>
<\/span>brennen macht,<\/span><\/p>\n

faz arder,<\/span>
<\/span>die mir als Tag<\/span><\/p>\n

a que como dia<\/span>
<\/span>der Seele lacht, <\/span><\/p>\n

da minha alma sorri,<\/span>
<\/span>Frau Minne will:<\/span><\/p>\n

a sra. Minne quer:<\/span>
<\/span>es werde Nacht,<\/span><\/p>\n

que se fa\u00e7a noite,<\/span>
<\/span>29 <\/span><\/a><\/span>dass hell sie dorten leuchte,<\/span>
<\/span>que luminosa l\u00e1 brilhe<\/span><\/p>\n

wo sie dein Licht verscheuchte.<\/span><\/p>\n

onde ela sua luz espantou.<\/span> <\/span><\/p>\n

Zur Warte du:<\/span><\/p>\n

\u00c0 entrada voc\u00ea:<\/span>
<\/span>dort wache treu!<\/span><\/p>\n

l\u00e1 vigie fiel!<\/span><\/p>\n

19 <\/span><\/a><\/span>Die Leuchte,<\/span><\/p>\n

A tocha,<\/span>
<\/span>und w\u00e4r’s meines Lebens Licht, \u2013<\/span><\/p>\n

esta, mesmo que fosse a luz da minha vida, \u2013 <\/span>
<\/span>19 <\/span><\/a><\/span>lachend<\/span><\/p>\n

sorrindo<\/span>
<\/span>sie zu l\u00f6schen zag ich nicht!<\/span>10<\/span><\/a><\/span><\/p>\n

n\u00e3o temeria apag\u00e1-la!<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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18<\/a> 23<\/a> 20<\/a> 24<\/a> 18<\/a><\/span>
<\/span>(Sie wirft die zur Erde, wo sie allm\u00e4hlich verlischt. Brang\u00e4ne wendet sich best\u00fcrzt ab, um auf einer \u00e4usseren Treppe die Zinne zu ersteigen, wo sie langsam verschwindet.\u00a0<\/span><\/p>

Isolde lauscht und sp\u00e4ht, zun\u00e4chst sch\u00fcchtern, in einen Baumgang. Von wachsendem Verlangen bewegt, schreitet sie dem Baumgang n\u00e4her und sp\u00e4ht zuversichtlicher. Sie winkt mit einem Tuche, erst seltener, dann Ungeduld, immer schneller. Eine Geb\u00e4rde des pl\u00f6tzlichen Entz\u00fcckens sagt, dass sie den Freund in der Ferne gewahr geworden. Sie streckt sich h\u00f6her und h\u00f6her, und, umbesser den Raum zu \u00fcbersehen, eilt sie zur Treppe zur\u00fcck, von deren oberster Stufe aus sie dem Herannahenden zuwinkt.)<\/span><\/p>

(Atira-o no ch\u00e3o, onde se apaga, aos poucos. At\u00f4nita, Brang\u00e4ne se vira para subir ao pin\u00e1culo atrav\u00e9s de uma escada exterior, onde desaparece lentamente. Isolda escuta e espreita, no in\u00edcio timidamente, para um caminho entre as \u00e1rvores. Agitada por um crescente desejo, aproxima-se do caminho e espreita com mais seguran\u00e7a. Acena com um len\u00e7o, primeiro em intervalos espa\u00e7ados, depois com impaci\u00eancia, cada vez mais depressa. Um gesto de encanto s\u00fabito diz que reparou no amado, ao longe. Estica-se cada vez mais alta e, para ver melhor o espa\u00e7o, volta com pressa \u00e0 escada, de cujo degrau superior acena \u00e0quele que se aproxima.)<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\tVoltar<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\tContinuar<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Zweiter Aufzug\u00a0\u00a0Segundo Ato 17 18 19 9 20 19 9 20 19 In der k\u00f6niglichen Markes in Kornwall. Garten mit hohen B\u00e4umen vor dem Gemach Isoldes, zu welchem, seitw\u00e4rts gelegen, Stufen hinauff\u00fchren. Helle, 17 anmutige Sommernacht. An der ge\u00f6ffneten T\u00fcre ist eine brennende Fackel aufgesteckt. – Jagdget\u00f6n. Brang\u00e4ne, auf den Stufen am Gemach, sp\u00e4ht dem … <\/p>\n

Continue lendo “Segundo Ato – Cena 01”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/luciaduraes.com.br\/tristaoeisolda\/wp-json\/wp\/v2\/pages\/543"}],"collection":[{"href":"https:\/\/luciaduraes.com.br\/tristaoeisolda\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/luciaduraes.com.br\/tristaoeisolda\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/luciaduraes.com.br\/tristaoeisolda\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/luciaduraes.com.br\/tristaoeisolda\/wp-json\/wp\/v2\/comments?post=543"}],"version-history":[{"count":48,"href":"https:\/\/luciaduraes.com.br\/tristaoeisolda\/wp-json\/wp\/v2\/pages\/543\/revisions"}],"predecessor-version":[{"id":1321,"href":"https:\/\/luciaduraes.com.br\/tristaoeisolda\/wp-json\/wp\/v2\/pages\/543\/revisions\/1321"}],"wp:attachment":[{"href":"https:\/\/luciaduraes.com.br\/tristaoeisolda\/wp-json\/wp\/v2\/media?parent=543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}